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A Hidden Treasure From Rock & Soul’s Golden Era

A series of posts about albums you may have missed back in the day when so much good music was coming out on nearly a daily basis. But now that the real “good stuff” is few and far between, you might want to backtrack and add these gems to your music collection.

It happens so often in rock music. Artists struggle for years with albums the critics love but record buyers ignore. Then they finally break through to a wider audience and go on to long, successful careers. Yet, those earlier albums remain, for the most part, ignored.

Such is the case with Boz Scagg’s “Slow Dancer” in 1974. It was his 6th album and his 6th commercial failure. Yet, many die hard Boz fans will tell you “Slow Dancer” is his best album. We don’t think they’re wrong.

It finally happened! After more than 30 years, the members of ABBA staged an impromptu reunion on stage in Stockholm.

The occasion was a private celebration to honor ABBA’s songwriting duo, Björn Ulvaeus and Benny Andersson, held tin 2016 at Berns Salonger to celebrate the 50th anniversary of their first meeting.

In attendance were their former spouses, the female side of ABBA, Agnetha Fältskog and Anni-Frid Lyngstadon, Before anyone knew what was happening the quartet were on stage singing “Me and I.” The effort marked their first public performance as a quartet since January of 1986.

You can find the full story here.

The band has promised a tour with holograms in the next year or so and yes, it will feature a few new songs as well as the ABBA classics.

With the release of “Days of Future Passed, the Moody Blues went from “one hit wonders” to virtually pioneering the musical form that came to be known as “progressive rock.”

The Moody Blues began life as just another band from Britain that performed covers of American r&b records. They scored one hit with “Go Now” during the first wave of the British Invasion in 1964. But like a lot of the white boys performing American black music, they found follow-up success elusive.

Between ’64 and ’67, the band reinvented itself with original members Denny Laine and Clint Warwick departing and new members Justin Hayward and John Lodge joining Ray Thomas, Mike Pinder and Graeme Edge. Their sound became more ambitious as keyboardist Pinder picked up a new instrument called a mellotron, which was capable of producing sounds very close to an orchestra’s string section.

Simon and Garfunkel's "Mrs. Robinson" started out as "Mrs. Roosevelt", and was changed to the final title after it was pitched to director Mike Nicols, who was then filming The Graduate. The opening lines, “dee de dee dee de dee dee dee,” were sung during the pitch because Paul Simon had not come up with suitable lyrics yet, but Nicols liked it that way and so they remained in place for the final recording.

 

 

Just as most of were embarking on life as full-fledged adults, Graham Nash of Crosby, Stills, Nash & Young penned this Hallmark card of song, encapsulating the life of tranquil bliss we all imagined ourselves living once we settled down with our "one true love."

"Our House" was featured on Dejé Vu, the album that saw Neil Young formally join what had been the superstar trio of David Crosby, Steven Stills and Graham Nash. It was written by Nash about his relationship with singer/songwriter Joni Mitchell. The two were living together in L.A. The couple had stepped out for breakfast. After the meal, Mitchell spotted a vase she liked on Ventura Boulevard. When they arrived back at home,the weather had turned chilly. Nash remarked, "Why do I light the fire and you put some flowers in the vase you just bought."

Struck by his own words, he went over to the piano and an hour later, "Our House" had been composed.

As few, if any of us, ever achieved the idyllic existence promised in the lyrics of the song, it may be comforting to know that Nash and Mitchell didn't either. The couple split up before the year was out.

Blonde on Blonde – Bob Dylan

What if you had been able to tell your 13-year old self that Bob Dylan would one day win the Nobel Prize for Literature? Do you think then your English teacher would have let you do your book report on Dylan’s latest album?

Maybe not. But there’s no question that Dylan was on an incredible hot streak in the mid-sixties, one that saw him release 3 albums that cemented his transition from folk to rock and put him in the very forefront of the contemporary music scene.

That trio of albums began with Bringing It All Back Home, continued with Highway 61 Revisited, and reached the pinnacle with the 1966 release of one of the first double albums in rock history, Blonde on Blonde.

A singer who landed 16 songs in the Top 40 and 4 in the Top 10… 22 songs in the British Top 40… a songwriter who penned Top 10 hits for 3 other artists… an inductee into the Rock and Roll Hall of Fame… yet he is almost forgotten today.

He is Gene Pitney.

Pitney was born in 1940 in Hartford, Connecticut. By high school he was singing with a local doo-wop group called the Embers. By 1959, he was recording with a young woman named Ginny Arnell under the name Jamie & Jane.

Pitney also started working as a songwriter and actually had his first success there, writing “He’s a Rebel” for Darlene Love & the Blossoms (recording as the Crystals), “Rubber Ball” for Bobby Vee and “Hello, Mary Lou” for Ricky Nelson.

Now it can be told (or actually, it was already told in the pages of 16 Magazine)!

Here's a little known band from the east cost that called themselves the Hassles. Despite being snappy dressers, they never made it. Well, all excpet for their keybaord player. 2nd from the left, a scrappy young kid named Billy Joel.

2016's simultaneous release of Eight Days a Week and Live at the Hollywood Bowl reignited interest in the Beatles live shows. But these are not the only places you can find Liverpool’s favorite sons performing live.

Here’s an overview of all the ways you can experience the Beatles in concert:

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