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A series of posts about albums you may have missed back in the day when so much good music was coming out on nearly a daily basis. But now that the real “good stuff” is few and far between, you might want to backtrack and add these gems to your music collection.

It happens so often in rock music. Artists struggle for years with albums the critics love but record buyers ignore. Then they finally break through to a wider audience and go on to long, successful careers. Yet, those earlier albums remain, for the most part, ignored.

Such is the case with Boz Scagg’s “Slow Dancer” in 1974. It was his 6th album and his 6th commercial failure. Yet, many die hard Boz fans will tell you “Slow Dancer” is his best album. We don’t think they’re wrong.

It finally happened! After more than 30 years, the members of ABBA staged an impromptu reunion on stage in Stockholm.

The occasion was a private celebration to honor ABBA’s songwriting duo, Björn Ulvaeus and Benny Andersson, held tin 2016 at Berns Salonger to celebrate the 50th anniversary of their first meeting.

In attendance were their former spouses, the female side of ABBA, Agnetha Fältskog and Anni-Frid Lyngstadon, Before anyone knew what was happening the quartet were on stage singing “Me and I.” The effort marked their first public performance as a quartet since January of 1986.

You can find the full story here.

The band has promised a tour with holograms in the next year or so and yes, it will feature a few new songs as well as the ABBA classics.

With the release of “Days of Future Passed, the Moody Blues went from “one hit wonders” to virtually pioneering the musical form that came to be known as “progressive rock.”

The Moody Blues began life as just another band from Britain that performed covers of American r&b records. They scored one hit with “Go Now” during the first wave of the British Invasion in 1964. But like a lot of the white boys performing American black music, they found follow-up success elusive.

Between ’64 and ’67, the band reinvented itself with original members Denny Laine and Clint Warwick departing and new members Justin Hayward and John Lodge joining Ray Thomas, Mike Pinder and Graeme Edge. Their sound became more ambitious as keyboardist Pinder picked up a new instrument called a mellotron, which was capable of producing sounds very close to an orchestra’s string section.

Simon and Garfunkel's "Mrs. Robinson" started out as "Mrs. Roosevelt", and was changed to the final title after it was pitched to director Mike Nicols, who was then filming The Graduate. The opening lines, “dee de dee dee de dee dee dee,” were sung during the pitch because Paul Simon had not come up with suitable lyrics yet, but Nicols liked it that way and so they remained in place for the final recording.

 

 

"Hang On Sloopy” is a rock classic. But few know the long and winding road it took before becoming a big hit for the McCoys in 1965.

The song began with the title “My Girl Sloopy.” It’s credited to Wes Ferrell and Bert Russell (a.k.a. Bert Berns). However, Rick Derringer claims the song was really written by a St. Louis high school student who sold the rights to Russell. If that’s true, then Sloopy might be Dorothy Sloop, a jazz singer from the same area.

The song was first recorded by an L.A.-based R&B group called the Vibrations. That version reached #10 on the R&B charts and #26 on the pop charts.

The original version of Sloopy can be heard here.

The Strangeloves were looking for a follow-up to their hit “I Want Candy” and thought “My Girl Sloopy” might do the trick. Pay attention now because from here, the story gets a little twisted.

Of all the songs Janis Joplin recorded in her brief, but spectacular career, one of the best-known and most fondly remembered is “Mercedes Benz.”

Few remember now that Janis was also interested in poetry and often attended poetry readings. Her tongue-in-cheek paean to consumerism began as a quick poetry jam between her and songwriter Bob Neuwirth in a bar in Port Chester, NY. They built their short poem around a line written by poet Mike McClure.

About an hour after the poem was completed, she performed it live during her show that night at the Capitol Theater in Port Chester, inventing an acapella melody on the spot.

It was promptly forgotten until she had finished recording her second solo album, “Pearl.” With the pressure of the major session work behind her, Joplin stepped to a microphone while the tapes were still rolling and announced she was about to sing “a song of great social and political import.”

She quickly ran through her little “Mercedes Benz” performance. One take. She also recorded a quick birthday message to John Lennon that included her rendition of Roy Rogers’ theme song, “Happy Trails.” Those would be the last two songs she ever recorded.

Only three days later, she would be dead of a drug overdose.

When Columbia released “Pearl” posthumously, producer Paul A. Rothchild decided to include “Mercedes Benz.”

The song quickly caught the fancy of FM deejays. Radio listeners also fell in love with the tune.

Today it has been covered by more than 30 other recording acts.

(And yes, we know the car in the photo is a Porsche! It belonged to Janis. She did not own a Mercedes-Benz.")

Tapestry (1971)

Carole King was already one of rock’s most successful songwriters. But no one could have predicted that when she finally started singing her own songs, she would create one of the best selling albums of all-time by a female vocalist, especially when her only previous album had not climbed higher than #84 on the Billboard Hot 100.

Tapestry has sold more than 25 million copies and is considered one of the top 50 albums ever released by a rock artist.

A Look at Some of the Best of the “One-and-Done” Recording Acts

This catchy little pop tune was part of the British Invasion that took over world radio in 1964.

The band was originally called the Sheratons. They were performing at the Mildway Tavern in London when a young songwriting duo approached them. Ken Howard and Alan Blaikley offered the group several tunes. The group jumped at the chance as they were about to audition for record producer Joe Meek.

The group passed the audition and Meek decided to use one of the Howard Blaikley songs, “Have I the Right?” as the group’s first single.

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